A long lens and macro wildlife cinematographer filming natural history sequences for groundbreaking television series, such as the gibbons story in The Mating Game episode of National Geographic’s Super/Natural series, winner of 2023 cinematography award at Jackson Wild. I also make short conservation films for NGOs to draw attention to key issues. Frequently working in the tropics or desert regions, up trees or filming macro sequences in the field or remote studio setting, usually as part of a small team and occasionally on my own with a detailed brief. I simply love the work we do, which is essential because there is almost always an element of hardship and perseverance involved in achieving the proposed sequence. I passionately believe that wildlife films are helping to address our climate and biodiversity crisis and I am equally sure that we all need to do more. The more we get to know the creatures that share our world, the more chance we have of saving this incredible world. For 30 years I have been involved with making wildlife films because I wanted others to share the privileged view we get. Now I think we do it to make more people care.